381. Web-series Reviews – 196

More web-series reviews…

Wallander – Ran from 2005 to 2013. 32 episodes of 1h 30 minutes each. A Swedish cop in a small town by the Baltic coast. Based on Henning Mankell detective books.

A review from IMDB...

Both the first series of Swedish TV's Wallander and the second collection of British TV's interpretation have recently been aired on British TV, and whilst they share a number of elements and qualities (locations, excellent filmatography, thoughtful and impressive 'takes' on the central figure of Kurt Wallander), it's the differences that seem to separate a good television drama from an outstanding one.

Obviously the two productions differ in a number of basic ways and it's worth highlighting these as a given. For the most part Swedish Wallander uses Mankel's stories as inspiration, creating unique plots per episode, whilst British Wallander uses the source material and thus far has for the most part faithfully adapted 6 of Mankel's books (interestly the choice has been to adapt out of sequence, although the original stories were also published out of sequence, in Britian at least). An exception is the depiction of Kurt's father and his struggle with dementia, which logically has to progress through the overall TV series.

A second key difference is the interpretation of Kurt Wallander's relationship with his daughter. Swedish TV puts Linda into the police force from the outset, and uses this device to explore their legendary troubled relationship with the added frisson of professional, hierarchical tensions. Also into the mix is the relationship between Linda and her colleague Stefan Lindman. British Wallander maintains the original Linda/Kurt story arc, with Linda not yet having enrolled for police duty.

A third difference is the inclusion/exclusion of the Ann-Britt Höglund character. It seems the Swedish version quickly came to view this character as unnecessary within the looser story structure, as she is dispensed with well before Series One concludes. For British TV Höglund remains integral, just as she is in the books.

However, setting aside these givens, there are a number of factors which set the two interpretations apart in terms of quality, success and viewer experience. British Wallander is quite pacey, moving the story along briskly from scene to scene. Whilst this mostly works, it does occasionally occur at the expense of scene and/or character development - the camera (and therefore the viewer) is forced to follow Kurt, leaving other characters as cyphers. This is most notable during scenes with colleagues at police HQ. Swedish Wallander adopts a slower style, allowing characters and stories to develop and unfold with greater subtlety. This approach leads to a second and quite fundamental difference, and it is this element that underlines the superiority of the Swedish Wallander. The combination of writing, direction and editing for a slower pace allows the Swedish actors to effectively 'do less' and achieve more. Accordingly, Henricksson, Bergman, Sällström, Rapace et al are repeatedly given the time and direction to use economy and skill to enable the viewer to understand what they are thinking, feeling etc. The final episode of Series One was a particular example of this, with all concerned but particularly Sällström and Henricksson underplaying beautifully to create scenes of desperate sadness, bewilderment and loss whilst actually 'doing' very little. In comparison, a combination of misjudged casting and actors being let down by script and scene construction in the British version means for the most part the viewer receives less reward. Branagh, Warner and most notably McCabe as Nyberg are the exceptions, the former not least because Wallander remains the prime focus through the British drama, and is therefore given more time, scene-by-scene, and Warner because he is quite simply an experienced and clever film actor. Yet it is McCabe who shines, underplaying beautifully, especially during scenes in Episode 4 - The Faceless Killers.

Views on casting are always contentious. Suffice to say, the Swedish series has somehow managed to secure a host of clever actors who know a thing or two about camera work, and particularly scenes in close-up. From the moments of occasional humour gratefully received from Mörck's Ebba and Gunnarsson's Svartman (an incidental and unsung masterpiece of a performance) to the brilliance of Henricksson and Sällström, it's the Swedish production which holds the treats and subtleties and warrants repeat viewings.

Let's hope the BBC transmits Series 2 as soon as possible, and let's also hope the absence of Rapace and Sällström doesn't diminish what has been an excellent television production.

My Take – Ignore the BBC one and watch the Swedish one, as I did😊! Excellent series!

 

Pillowcase Murders – Came in 2024.  When dozens of elderly women die at Senior Communities across Dallas, a prolific serial killer is preying upon one of the most vulnerable populations in society.

A review from IMDB...

This case is beyond infuriating!!! If these victims had been young rich people there would have been no stone unturned, security 24/7 and countless media attention. These poor families had to go with unanswered questions for so long.

Mary Bartel and the other survivor (sorry forgot her name) are the true heroines in all of this. How they survived is truly incredible. And of course Josh the security guard was a rock star. He really should become a detective.

I am so saddened about the senseless deaths. As a nurse working in a nursing home I just cant understand how someone could harm defenseless people like this. These people lived their whole life, worked hard to make it to retirement then their lives were cut short all for silly jewelry.

This Billy dude is sick and disgusting! He should be shipped back to Kenya and thrown in a jungle somewhere so he can become lion and tiger food!!! But I accept the way he died because that would have been very painful and scary. Kudos to his cell mate!!!!

Also although I respect the people who want to "forgive" that animal, there is no way I ever could. I could live very well without forgiving a useless piece of garbage.

My Take – Worth a watch!

 

Manvat Murders – Came in 2024.  In 1972, seven women were brutally murdered in Manvat, shaking the nation. As the case stumped local police, Special Crime Branch officer Ramakant Kulkarni, stepped in to uncover dark secrets and hidden motives.

A review from IMDB...

Manvat Murders" is a Marathi-language crime thriller series that brings to life one of India's most shocking true crime cases from 1972. The show revolves around the brutal murders of seven women in the town of Manvat, an event that shook the entire nation. As local law enforcement struggled to make progress, Special Crime Branch officer Ramakant Kulkarni took charge of the investigation, peeling back layers of superstition, ignorance, and fear that gripped the community.

The story is set against the backdrop of a deeply conservative and uneducated rural India, where superstition and blind faith ran rampant. Through the eyes of Officer Kulkarni, viewers witness how these factors not only misled the investigation but also trapped innocent people in a cycle of suspicion and fear. The series explores how social dynamics and cultural ignorance made the case even more complex, as Kulkarni uncovers deeply buried secrets and motives.

What makes the series worth watching is its portrayal of the investigation process in a time when modern forensic techniques were largely unavailable. Kulkarni's methodical approach highlights both the limitations and determination of law enforcement during the era. While the case might appear straightforward to modern viewers, given the abundance of crime-solving tools we are now familiar with, the show successfully portrays the challenges Kulkarni faced in unraveling the mystery within a deeply flawed and misinformed community.

However, the series does fall short in terms of engagement and pacing. While the real-life story has plenty of potential for suspense and drama, the execution lacks the necessary tension to keep viewers on the edge of their seats. As the series progresses, it becomes relatively easy for the audience to guess the identity of the culprit, which weakens the impact of the final reveal. The director could have capitalized more on creating a sense of mystery and uncertainty, possibly adding more psychological depth to the characters and their motives.

Despite these shortcomings, "Manvat Murders" excels in its atmospheric depiction of rural India, immersing the audience in the socio-cultural challenges of the time. The series does well to shed light on the widespread issues of superstition and ignorance, which were, and still are, prevalent in many parts of India. This serves as a reminder of how far the country has come in terms of education and scientific reasoning, but also how much work remains to be done.

The cinematography and music composition further enhance the eerie mood of the show, with tense soundtracks accentuating the moments of discovery and conflict. Special mention must be made of Nitin Desai's production design, which transports viewers back to 1970s Maharashtra, adding authenticity to the series.

Overall, "Manvat Murders" may not be a gripping thriller for all, but it is certainly a thought-provoking and educational drama that highlights important social issues. For those interested in true crime stories with a touch of cultural commentary, this series offers an insightful perspective. However, for viewers seeking intense suspense or unexpected twists, the show might fall a little short of expectations.

Final Verdict: While the story has significant historical and cultural value, the predictable plot and lack of tension may hinder its appeal to some audiences. My personal rating stands at 6 out of 10, mainly due to the missed opportunity for more engaging storytelling and character development.

Nonetheless, "Manvat Murders" is a solid watch for those interested in true crime, Indian history, and the psychological impact of superstition on justice.

My Take – Worth a watch!

Adios till next time😊!!